If you consider using this scheme you need to have a very big pocket book and amazing discipline to go away when you earn a small success. For the benefit of this essay, a sample buy in of $2,000 is used.
The Horn Bet numbers are certainly not looked at as the "winning way to compete" and the horn bet itself has a casino edge well over twelve percent.
All you are gambling is five dollars on the pass line and a single number from the horn. It does not matter whether it’s a "craps" or "yo" as long as you wager it routinely. The Yo is more prominent with gamblers using this approach for obvious reasons.
Buy in for $2,000 when you approach the table but only put $5.00 on the passline and one dollar on one of the two, 3, eleven, or twelve. If it wins, beautiful, if it loses press to two dollars. If it does not win again, press to four dollars and then to $8, then to sixteen dollars and after that add a one dollar each subsequent wager. Every time you do not win, bet the previous bet plus one more dollar.
Employing this scheme, if for instance after 15 tosses, the number you wagered on (11) has not been tosses, you surely should march away. However, this is what possibly could happen.
On the tenth toss, you have a sum of $126 on the table and the YO at long last hits, you win three hundred and fifteen dollars with a gain of one hundred and eighty nine dollars. Now is a great time to go away as it is more than what you joined the game with.
If the YO does not hit until the twentieth roll, you will have a total wager of $391 and because your current action is at $31, you gain $465 with your profit of $74.
As you can see, employing this system with just a $1.00 "press," your profit margin becomes tinier the longer you play on without winning. This is why you must step away after a win or you must bet a "full press" again and then carry on with the $1.00 mark up with each toss.
Carefully go over the data before you try this so you are very familiar at when this scheme becomes a non-winning affair instead of a profitable one.